Opera in three acts
Libretto: Jarosław Iwaszkiewicz and Karol Szymanowski
World premiere: 19 June 1926, Teatr Wielki, Warsaw
Premiere of this production: 26 July 2009, Bregenzer Festspiele
Premiere in the Polish National Opera: 1 July 2011
Original language version with English surtitles
Duration: 1 hr 30 min. (without intermission)
Conductor: Jacek Kaspszyk
Director: David Pountney
Set Designer: Raimund Bauer
Costume Designer: Marie-Jeanne Lecca
Choreography: Beate Vollack
Lights: Fabrice Kebour
Chorus Master: Bogdan Gola
Make up: Frauke Gose
Casting: Leszek Barwiński
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Soloists, Chorus and Orchestra of the Polish National Opera, Dancers
and Boy's Chorus supervised by Danuta Chmurska
Project organized in association with the Adam Mickiewicz Institute as part
of the Cultural Programme for the Polish Presidency 2011
Performances: 1, 3, 5 July 2011
“What is really going on? Why? Why at night? Who is Roger? The Shepherd? Who is God? Where does He come from? What does He look like? … What kind of story is this? Heretical, blasphemous? Initiating? Holy? What is the transformation of the space - from closed to open? What is the role of the king’s wife Roxanne in all this? What does Roger experience in the second scene that he discards his regal robes and follows the Shepherd? What does he experience in the final scene that he sings a great hymn to the sun? Why the historical Roger? Why Sicily? Why Dionysus? What about Christ?”, asked Tomasz Cyz in Zeszyty Literackie
Some of the answers can be found in the present, already famous production by David Pountney presented at the Bregenzer Festspiele in 2009.
How much do we already know? The most famous Polish opera, by a brilliant opera visionary of our times, premiering at the Polish National Opera to celebrate Poland’s presidency of the Council of the European Union, and… the mystery of Roger still unexplained.
Photo: Krzysztof Bieliński
Poster for the production, designed by Adam Żebrowski, photo: Jacek Poremba
Sponsor of the premiere:
Partner of the Teatr Wielki - Polish National Opera:
Media patrons of the Teatr Wielki - Polish National Opera:
PLOT
Act I
The Shepherd is brought before King Roger and his retinue during mass in the cathedral of Palermo. Although the archbishop demands that he should be condemned to death for heresy, the King’s Roger wife Roxana persuades the King to spare his life. Roger commands the young man to come to his palace that evening, when he will give the Shepherd a hearing and pass judgement on him.
Act II
Roger and his Arabian councillor, Edrisi, nervously await the arrival of the Shepherd. Roxana sings a seductive song, evidently in response to the visitor’s arrival, which makes Roger increasingly uneasy. The Shepherd is led in and proclaims his faith. Before long the entire court is under his spell and joins in an ecstatic dance. Roger atempts to have the man arrested, but he frees himself effortlessly. The Shepherd leaves the palace at the head of a procession of all the King’s courtiers and Roxana. Only King Roger and Edrisi remain behind. Roger decides to follow the Shepherd, not as a King, but as a pilgrim.
Act III
In an ancient Greek amphitheatre, King Roger and Edrisi find Roxana, who tells her husband that the Shepherd can free him of his fears and his jealousy. A fire is lit and the followers of the Shepherd start another dance, while the Shepherd himself becomes transformed into the god Dionysus. When the dance ends, everyone leaves except King Roger, who has been utterly changed by the experience. Instead of following Dionysus, he sings a joyous hymn to the rising sun.