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October 3, 2010
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THE FALL OF THE HOUSE OF USHER
Philip Glass

The Fall of the House of Usher

 

Chamber opera in two acts with a prologue
Libretto by Arthur Yorkins, Philip Glass after a story by Edgar Allan Poe 
World premiere: American Repertory Theater,  Cambridge, USA, 18 May 1988
Premiere of this production: 7 November 2009
Original language version with Polish surtitles 

 

Running time: 1 hr. 30 min.

 

Conductor: Wojciech Michniewski
Direction: Barbara Wysocka
Set Design and Costumes : Magdalena Musiał
Movement: Tomasz Wygoda
Lighting Design : Justyna Łagowska
Projections: Lea Mattausch

 

Soloists and Orchestra of the Polish National Opera

 

"The Fall of the House of Usher" on You Tube

 

 

cast:

William - Adam Szerszeń
Roderick Usher - Tomasz Krzysica
Madeline Usher - Agnieszka Piass
Servant - Czesław Gałka
Doctor - Krzysztof Szmyt 

The innovative work by the American composer Philip Glass at the Polish National Opera. The Fall of the House of Usher is a story which unfolds on the borderline of reality and hallucination, full of innuendo and passion, evocatively building a sense of dread. The background for the events is the house of the title, of which Lovecraft wrote that it shares one common soul with the characters. The opera is based on the well-known story by the master of horror - Edgar Allan Poe, which was hailed as a masterpiece of gothic horror and has fascinated and inspired artists for years. Philip Glass uses his famously repetitive style to express the mysteriousness of the unusual house and its residents who are inevitably headed for death. Director Barbara Wysocka creates an onstage synthesis of the arts, combining theatre, music, film and photography in her production, successfully expressing the horror of Poe’s story and highlighting Glass’s disturbing and hypnotic music.

“[Barbara Wysocka]     With Glass’s The Fall of the House of Usher, she has restored faith in well-planned and smart opera directing. She has proved that music doesn’t have to restrict a director, a score is not a theatrical prison, and a libretto can present rewarding material for theatrical processing. Nomination for a brilliant debut, for seeing music and hearing theatre”. [Daniel Cichy justifying Barbara Wysocka’s nomination for a Polityka Passport award in the classical music category]

TERYTORIA (TERRITORIES). A series for the Chamber Hall. Presentation of 20th ans 21st century works of opera and ballet which are almost absent from Polish theatres. Modern, sophisticated, contemporary, exploring extreme, sometimes ultimate emotional states, they are usually inspired by great works of literature, while their music does not let one easily forget itself.

TERYTORIA (TERRITORIES) is an attempt to seek new aesthetic qualities and forms of expression, to delineate innovatory veins, to release unknown visions and associations. To collaborate on the pieces, Polish National Opera invites the most interesting contemporary musical, theatrical and visual artists.


Photo: Krzysztof Bieliński
Poster for the production, designed by Adam Żebrowski 

 

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